2020. 1. 23. 04:53ㆍ카테고리 없음
Above is the warning you’ll get if your video settings don’t match the sequence settings – or when you drag and drop video into a new sequence. Choose ‘change sequence settings.’ But I have multiple formats of video – what do I choose? If this is the case, you’ll have to choose which video you’d like your sequence to match.
There are some specific techniques for rendering your animation into a movie file. You can render directly to a movie format such as AVI.
Alternatively, you can render a sequence of still image files to a file format such as TGA, and then use the RAM Player to save them into a movie. The latter method is the recommended choice. It requires a few more steps than rendering directly to a movie format, but it gives you more control over the file size and quality of the output. In addition, if you have frames that have artifacts or other errors, you can repair or remove them.
You can also use the individual frames in compositing or other post-processing.This animation will take some time to render.Set up the lesson:. From the animationwalkthroughasst folder, open greatwallrender.max.
Tip: If the Units Mismatch dialog displays, choose Adopt The File's Unit Scale and then click OK.This file is similar to the one you created in the previous lesson. A bobbing motion has been added to the camera to simulate the up-and-down effect of someone jogging along the path. Note: In a production environment, probably you would want to use a high-quality, lossless format such as TGA or TIF.
For the purposes of this tutorial, you will use the JPG format to keep the size of the output files small. In the File name field, type myjog.jpg, then click Save.After you click Save, a format-specific dialog asks you to specify attribute and information settings. Accept the default values, and then click OK.When you render a still-image sequence, as in this case, 3ds Max automatically appends a four-digit frame number to the first part of the file name. So the first frame will be myjog0000.jpg, the second myjog0001.jpg, and so on. Make sure Save File is turned on in the Render Output group. Also, check that the Viewport field at the bottom of the Render Scene dialog is set to WalkthroughCam01 (not Top, Front, or Left), then click (Render Production). Tip: You can also watch the rendering for errors or observe to see where you want to make changes.
This is generally a good practice so that you can study the scene as it is rendered.After the rendering has completed, you will have 3,000 JPG files in the folder you specified.Convert an image sequence into a movie:The RAM Player loads still image sequences into memory and plays them so you can watch them as a movie. It actually lets you load two different sequences and then compare them visually, but you won’t use that functionality here.
You'll simply use the RAM Player to save the files into an AVI file. From the Rendering menu, choose Compare Media In RAM Player. On the RAM Player toolbar, click Open Channel A. In the Open File, Channel A dialog, navigate to the sequence of JPG image files. Highlight the name of the first file in the sequence and then ensure the Sequence option is turned on. Click Open.The RAM Player will now load the image files in sequential order starting with the first file you selected. The Image File List dialog appears.
Here you can use the Every Nth and Multiplier fields if you need to speed up or slow down your animation. If your animation is too slow, change Every Nth to 2 or 3. If your animation is too fast, increase the Multiplier. Click OK.The RAM Player Configuration dialog appears.
Here you can observe and adjust your memory usage. There are also tools here to resize your animation, specify a range of frames to use, and split the alpha (transparency) information into a separate file. Note: In order to use transparency, the image file specified has to be able to process an alpha channel. JPG files do not contain any transparency information the way TGA, TIF and PNG images often do. Increase the Memory Usage to its maximum for your system, and then click OKThe RAM Player loads the rendered files into memory. In the Loading dialog, observe how much memory is being used and remains available.If it looks like you are about to run out memory, click Stop Loading. If you have a low-memory system, reduce the number of frames to load and try again.
On the RAM Player toolbar, click (Playback Forward) and watch the movie play.When you are done, click this button again to stop playback. On the RAM Player toolbar, click (Save Channel A).A Save File, Channel A dialog appears. Choose AVI as the file type, and name the animation myjog.avi. Click Save.The AVI File Compression Setup dialog appears. Here you can choose a codec (compression/decompression type) and adjust the quality of the file.
Accept the default codec. SummaryIn this tutorial, you have learned to calculate the number of frames needed for the animation. You used the Walkthrough Assistant to create a camera and constrain it to a path. Then you used the Walkthrough Assistant to animate head turning and tilting to improve the realism of the camera motion.Finally, you learned how to render your animation to a sequence of still-image files. This allows you better control for later correction of your animation.
You also learned how to use the RAM Player to assemble a still-image sequence into a movie-file format such as AVI or QuickTime.
Smart Rendering Workflow for ExportsI am so glad I employ the smart rendering workflow as often as possible when working in Premiere Pro, especially for the exporting process.I think that many editors get themselves into a jam too often at deadline when changes are afoot and mistakes are uncovered when exporting. Found a mistake while watching down your show?
Then you’ll be forced to “redo” that export. Time that you probably don’t have. Then the stress level starts going up, does it not?Let’s say you’re cutting H.264 that you acquired from your mobile phone or camcorder (as you are probably used to doing) instead of native or transcoded ProRes, DNxHD/HR or Cineform footage which you can make happen on ingest.
Best Sequence Settings For Fast Rendering Software
Since you are not employing a smart rendering workflow, you are subject to wasting a lot of time. You are time-penalized by making the fix, then, on export, you need to process any effects and re encode the entire piece, usually to H.264. Talk about a drain on your time.What if you caught another mistake on a second watch down? That’s right, you have to sit through the entire exporting process once more. Painful. There is a better way.If you are cutting like I do, with ProRes, or, just make the fix—re render the preview—then export once more. The ProRes codec export is much, much faster than waiting for another H.264 export since you are merely copying preview files into a new container rather than re processing and re encoding the entire contents of your timeline: you’re using smart rendering in this scenario. This may only take a few minutes compared to the better part of an hour or more.With this “master” file, you can create H.264 copies at high quality.
Best Sequence Settings For Fast Rendering Machine
If you are uploading to YouTube, Vimeo or other service, you can usually upload the original master. This takes longer, but results in higher quality video for your audience.